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Phideaux : Ghost Story
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Classic rock with a progressive tinge. Alternates between heavy aggressive rock and soulful low key mysterio rock. Definitely one for headphones or after a bit of a smoke... The stars come out tonight...
Genre: Rock: Progressive Rock
Release Date: 2004
Ghost Story © Copyright-Bloodfish music (BMI)
  • Buy CD - $12.00
  • Download Album (MP3) - $9.99
Preview Song Name Time Format Price Select
Everynight 5:14 $0.99
Feel the Radiation 4:02 $0.99
A Curse of Miracles 6:25 $0.99
Kiteman 4:30 $0.99
Wily Creilly 5:24 $0.99
Beyond the Shadow of Doubt 7:45 $0.99
Ghostforest 5:45 $0.99
Universally 5:45 $0.99
Come Out Tonight 5:52 $0.99
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Album Notes

"Ghost Story" (Bloodfish ZYZ 1618): The seconde album from hard hitting drummer Rich Hutchins and singersonger Phideaux Xavier. "Ghost Story" is firmly placed in the "classic" rock sound of the 70s but from a more current perspective. Darker and heavier than the previous ("Fiendish"), "Ghost Story" maintains the same precision production and emphasis on vocals and melody. Reminiscent of Jethro Tull, Pink Floyd and Bowie, this album contains a few epic tracks and several shorter songs which we believe you will be humming for a long time to come. If you don't believe me, listen to what these fine folks have to say.... "The new album from Phideaux is even better than the last. ... There just isn't anybody else playing music like this today. Unique and very special." "www.coolnoise.co.uk" "Possessing a slightly heavier edge, but still containing characteristic shades of psychedelia, Ghost Story (subtitled 'A Lullaby In Nine Movements') is another excellent collection of great songs that draw on the numerous influences that Phideaux openly admits to being inspired by." Mark Hughes "Dutch Progressive Rock Page" "www.dprp.net" "a funhouse ride of musical surprises" Duke Egbert "www.dailyvault.com" "... continues with the Pink Floyd influences but does so this time with a more complex and spaced out mix. The opening number is extremely busy with loads going on in the background-just close enough for you to hear but not enough for it to sound cluttered. The vocals are a step up from the last album and on the production and engineering side he totally outdoes himself." J-Sin "smother.net"

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REVIEWS

the greatness changes and continues
author: ken s
ghost story has hints of fiendish (eg. universally) and hints at chupacabras. it is heavier than fiendish, more of a psychadelic rock this time, but still holding up with great production, very clean sound. the fuzz guitar weaves in and out, then takes front and centre. the acoustic guitar takes a lesser role but is there at all the right times. all songs are great; favs this time: everynight, kiteman, wily creilly, universally, & come out tonight. a few references :bowie, t-rex, robyn hitchcock plus all the others......enjoy!
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Fun, Trippy, and Bloody Lovely...
author: Jim Mills
I think this is probably the most instantly catchy of Phideaux's works up to 313. Check out the samples above in hi-fi and hear for yourself!
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Superb storytelling folkprogrock
author: Jonas Bang
Phideaux continues where his first album Fiendish finnished. Once again I'm impressed by the work this man is releasing. Ghost Story continues a wide range of influences, from acoustic to rather heavy rock tunes, and it never looses the emotional and dreamy vein along the journey. I am a true progfan, but I would say this album has a lot to offer for any folkrock lover as well.
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Proof of the Theory
author: David Arthur-Simons
Ghost Story (a lullaby in nine movements); by Phideaux Early in 2004 Phideaux followed 2003’s “Fiendish” with another CD called “Ghost Story, (a lullaby in nine movements)”. The sub title seems to suggest to me a period of sleep or an induction into sleep that might in fact refer to the 11 year hibernation period between Phideaux’s first release “Friction” in 1992 and his re-emergence in 2003 with “Fiendish”. The first half of “Ghost Story” is a kind of exorcism, it is full of songs of anger, rage and disillusion, it seems to continue where “Fiendish” left off. But the second half breaks new ground and is full of inspirational and even mystical songs that make clear that Phideaux has moved on from his 60’s psychedelic roots, accepted his middle age status and decided to look life squarely and evenly in the face. The first song “everynight” begins with a guitar that sounds like it’s being looped back into itself. This is soon replaced by a bell-like sounding keyboard. The
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