Michael Herring's Vertigo featuring David Binney
Coniferous Revenge
© 2006 Michael Herring (061297652501)
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A mix of composed and improvised elements – both of which are driven by rhythmically sophisticated, yet highly listenable grooves.
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Michael Herring’s Vertigo, Coniferous Revenge, featuring David Binney
release date: March 7, 2006
Michael Herring’s Vertigo’s debut album, Coniferous Revenge, featuring David Binney (alto saxophone - New York), is the perfect blend of high energy solos and Herring’s artful and groovy modern jazz compositions. A collaboration born at downtown Toronto’s Rex Jazz and Blues Bar in front of a sold out crowd and refined in the studio, this album blends the excitement of new found synergy with focused performances.
Coniferous Revenge boasts eleven Herring-penned compositions, with Binney heavily featured throughout, as well as a final good-bye with Jesse Winchester’s My Songbird, arranged by Herring to capture the lyrcal beauty of Emmylou Harris. The compositions groove hard, and while they stay true to their jazz roots (listen to Nachoff on Clancy’s New Belt Free Home), you can hear the influences of reggae, electonica, 20th Century classical, folk and even grunge rock.
Drawing on the influence of New York's Downtown Jazz Scene, Michael Herring’s Vertigo mixes composed and improvised elements – both of which are driven by rhythmically sophisticated grooves. Herring’s work naturally possesses the voice of the younger New York Downtown scene – Herring tips his hat to Dave Holland, Scott Colley, Drew Gress, David Binney and Chris Potter – yet the compositions have much of the classic sixties sextet sound about them – respectively recalling Wayne Shorter and Booker Little at their height – an engaging and freshly innovative blend is the happy result. One other note of interest – the work is packaged in Steve Byram’s original art.
Michael Herring’s Vertigo features the strongest voices in the next generation of Canadian Jazz: William Carn (trombone), Jesse Baird (drums), Quinsin Nachoff (tenor and clarinets), Don Scott (guitar), anchored by Michael Herring (double bass).
“one of the most exciting and interesting [albums] to arrive this year… The ensemble passages are all rich in texture, catchy hooks relieve the aura of intellectual rigour, the boss's bass soars and swoops and the overall impact is tremendous” Geoff Chapman - Toronto Star
Michael Herring - Bio
Michael Herring is a double-bassist, composer and arranger based in Toronto. His focus is on jazz, although he performs in a variety of genres, including folk, reggae and performance art. He has a strong sound and musical personality, and thrives in open and improvised settings.
As well as leading his own sextet, Vertigo, he performs regularly with a number of bands including the JUNO nominated Jason Wilson and Tabarruk (reggae, with jazz influences), and in the collective Mr. Pointy (avant-garde meets groove-rock). He has shared the stage with such great musicians as David Binney, Bernie Senensky, David Braid, Kirk MacDonald, Stich Wynston, Nick "The Brownman" Ali, William Carn, Laila Biali, Norman Marshall-Villeneuve, Mike Murley, Percy Sledge, Ernest Ranglin, and Brinsely Forde (Aswad) Besides playing and touring in Canada, he has toured with his own band in Korea, and with various ensembles in Europe, the United Kingdom, and the Caribbean. Michael's compositions and arrangements have been featured in the repertoires of many ensembles, including Jason Wilson & Tabarruk, The Nick Ali Trio, the Bokker Buckle Band, and the Don Scott Quartet.
Michael grew up in Victoria, B.C., then moved to Toronto, where he studied with Canadian Jazz greats David Young and Don Thompson at the University of Toronto’s Jazz Performance Program. He has been invited to attend the Banff International Jazz Workshop twice (2000, 2003) and lived in New York (2004). He has also studied with Drew Gress, Mark Helias, Dave Douglas, Kenny Werner, Joe Lovano, Joey Baron, Tony Malaby, Angelica Sanchez, Johannes Weidenmueller, James Genus, and Mark Turner, as well as with world-renowned bassists Rufus Reid and Ray Brown.
“[a] Toronto bassplayer with a penchant for contemporary grooves, colours and energy… cutting-edge but accessible sounds inspired by New York's downtown jazz innovators” Doug Fischer - The Ottawa Citizen
reviews
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...one of the most creative musicians on the Canadian scene.
author: Joseph Blake - The Times ColonistOnly a few years removed from Esquimalt High's excellent jazz program, Toronto-based double bassist Michael Herring has established himself as one of the most creative musicians on the Canadian scene. On Coniferous Revenge, his band featuring New York-based alto saxophonist David Binney produces a modern mix of jazz tradition and adventurous experimentation. Herring's 11 richly textured originals have a supple, athletic grace stretched in always-surprising directions by Binney, tenor saxophonist Quinsin Nachoff, guitarist Don Scott, and trombonist William Carn, while Herring and drummer Jesse Baird carve a deep, shifting groove through the cord changes. Echos of classic Blue Note Record's 60's bop merge with the new century's harder edged collective dissonance in a juicy sound that Herring and company cap with a lyrical reshaping of Jesse Winchester's My Songbird. A triumph!
carefully composed rhythmic structures and catchy-but-offbeat melodies... A spec
author: J.D. Considine - The Globe and MailBetween the unusual instrumental colours, carefully composed rhythmic structures and catchy-but-offbeat melodies, the sound Herring gets from his largely Toronto-based ensemble is likely to remind casual listeners of Dave Holland's recent work. Not because both Holland and Herring are bassists, but because they share a similar approach to composition, and lead equally singular ensembles. Although the album tends to spotlight the raucous, discursive alto sax of New Yorker Dave Binney, everyone gets a chance to shine, with particularly strong contributions from trombonist William Carn (on Monkey) and guitarist Don Scott (on the title tune). A spectacular debut.
[Coniferous Revenge] is one of the most exciting and interesting [albums] to arr
author: Geoff Chapman - The Toronto StarJAZZ - MICHAEL HERRING'S VERTIGO - CONIFEROUS REVENGE (INDIE) - Canadian bassist Herring's album, released this month at The Rex, is one of the most exciting and interesting to arrive this year. Herring spent 2004 in New York, where he recruited one of New York's rising stars, saxman David Binney. The disc's 11 tracks challenge the musicians with their fiendish complexities, tricky rhythmic devices and relentless shape-shifting, with Binney getting the lion's share of soloing. Yet there's equally imaginative contributions from a posse of stylish young Torontonians — saxophonist Quinsin Nachoff, trombonist William Carn, guitarist Don Scott and drummer Jesse Baird. The ensemble passages are all rich in texture, catchy hooks relieve the aura of intellectual rigour, the boss's bass soars and swoops and the overall impact is tremendous, especially in the opening surging "S-ow-ss, "Monkey," the spacy title-piece and freewheeling "Um." - Geoff Chapman