Ashley MacIsaac
Fine, Thank You Very Much
© 1996 Ancient Music Limited, Linus Entertainment (803057005321)
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A return to traditional Celtic, fiddle music.
tracks
- 1 Rosebud Of Allenvale, The / Miller Of Drone, The / Dusky Meadow
- 2 Braes Of Elchies, The / Miss Anderson / New Yorr, The / Rothiemu
- 3 Moonlight, The / Hennessey's Hornpipe / Gin I Had A Bonnie Lass
- 4 Traditional Strathspey / New Bedford Reel / Pretty Peggy
- 5 Wilfred's Fiddle / Harbourview, The
- 6 Athole Cummers / Flora MacDonald / Prince Charlie
- 7 Lord Rothes / Traditional Strathspey / Braes Of Tullymet, The /
- 8 King George IV / King George IV / Old King's Reel, The / King's
- 9 Tam Bain's Lum / Ladie's Hornpipe, The
- 10 Space Available / Buddy MacMaster / Joys Of Mabou Mines, The / '
- 11 Traditional Jig / Traditional Reel
- 12 Allowa Kirk / Traditional Strathspey / Princess Royal / Douglas'
- 13 Jerry's Beaver Hat / Catherine MacIsaac Wedding Day / Long Point
try this
albums you will love
- THE JOHN HENRYS: Sweet as the Grain
- ALANNAH MYLES: Black Velvet
- VARIOUS ARTISTS: James Devine's Tapeire: Music From The Show
- DOWNCHILD: Live at The Palais Royale
- SOPHIE MILMAN: Make Someone Happy
- EVERYTHING AT ONCE: Everything At Once
- EDWIN: Better Days
- KAZZER: Broke
- ASHLEY MACISAAC: Pride
- QUARTETTO GELATO: Favourite Flavours
- ASHLEY MACISAAC: Hi How Are You Today
- ASHLEY MACISAAC: Live At The Savoy
- MEMORY BANK: Litany and Lethargy
- SOPHIE MILMAN: Sophie Milman
- BY DIVINE RIGHT: Sweet Confusion
- GORDON LIGHTFOOT: Harmony
- QUARTETTO GELATO: Travels the Orient Express
- SHOCORE: Evilution
- RON SEXSMITH: Rarities
- CANADIAN BRASS: Amazing Brass
- TUULI: Here We Go
genres you will love
By Location
Recommended if you like ...
links
notes
Ashley MacIsaac is known as the bad-boy of World Music. This Nova Scotian found international acclaim in folk and roots music circles playing the fiddle in the working-class, pub-stomp Cape Breton way: fast, furious and with phenomenal precision. He is one of the top Celtic influenced Roots artists in North America of all time – right up there with Loreena McKennitt and The Chieftains, selling more than 500,000 albums, headlining festivals, and gracing the cover of Folk Roots magazine last year. Ashley describes his new sound as ‘a harder, edgier Rufus Wainright’.
From MSN.com:
"Collective eyebrows were raised with the release of 1995's Hi How Are You Today? and its subsequent tour. And in the wake of that album, fans and critics alike awaited the 1998 arrival of the follow-up Fine Thank You Very Much with eager anticipation and wariness, respectively. Although it clearly states "a traditional album" on the cover, suspicions weren't fully... More quelled until an actual listen took place. After all, MacIsaac could be pulling a fast one. Well, he did and he didn't. Yes, this is a traditional recording that few expected, and no, he didn't engage in false advertising, despite some who felt duped by his change of direction from traditional fiddler on his debut, Close to the Floor, to alternative rocker on Fine Thank You Very Much. This album begins with the three-minute slow air "The Rosebud of Allenville," but after that, MacIsaac shows no signs of slowing down. It's midtempo to uptempo jigs, reels, hornpipes, and strathspeys for the remaining 50-plus minutes. With the exception of John Allan Cameron's aggressive acoustic guitar on "Athole Cummers," this record is all MacIsaac. In addition to his exemplary fiddle playing, he accompanies himself on piano in the unique and oft-alluded-to Cape Breton style. For those expecting more thumbing of the nose by MacIsaac, it should be noted that his eccentricities wouldn't have received nearly the attention they did if he hadn't first established himself as an excellent fiddle..."
Other Ashley MacIsaac albums on CDBaby:
Hi, How Are You Today?
A Cape Breton Christmas
Live at the Savoy
Pride
Featured in: James Devine's Tapeire - Music From The Show