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Jill Cohn : The Absence Of Moving
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Reciently Featured on NPR "All Songs Considered"-soul-stirring vocals from seattle songwriter and Lilith fair talent search finalist
Genre: Folk: Modern Folk
Release Date: 2000
The Absence Of Moving © Copyright-Jill Cohn
  • Buy CD - $12.00
Preview Song Name Time Format Price Select
The Truth 3:44 Not Available
Louisiana Lover 4:28 Not Available
Happy 4:16 Not Available
Kayenta 5:02 Not Available
Shore 4:58 Not Available
Wind Chimes 4:47 Not Available
Not Afraid 4:50 Not Available
Love Would Be Enough 3:40 Not Available
Map 6:32 Not Available
All About Fear 3:37 Not Available
Instead Of The Innocent 5:38 Not Available
Astrological Forecast 0:16 Not Available
[Hidden Track] 9:04 Not Available
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Album Notes

Buzz Weekly described Cohn's music as "lilting acoustic pop excursions - deeply personal and heartstring-tugging". The Absence of Moving was recently featured along with songs from Neil Young, Loudon Wainwright, Crosby Stills & Nash, on the NPR Program, "ALL SONGS CONSIDERED" here's a link! http://www.npr.org/programs/asc/features/inspired/ "The songs on the absence of Moving pour out of the pseakers like rianwater-clear, life-giving and cool" --PERFORMING SONGWRITER Her critically acclaimed 4th CD, "the absence of Moving" has been embraced by AAA Radio and internet radio with the song, Louisiana Lover still getting attention on airways nation wide. A true veteran of the road, the Seattle singer's piano & guitar based solo tours highlight her soul-stirring voice and well crafted songs with issues ranging from domestic violence, the shrinking rain forest to discovering one's own inner spirit. Jill was picked as an opener for the "girls room" tour and was a top 5 finalist in the Lilith Fair Talent search in Seattle, Portland, and Phoenix. In addition to headlineing concerts in Seattle, and Los Angeles, she has shared stages with Tara MacLean, Loundon Wainwright III, David Mallett, Ellis Paul, Dona Delory, Cheryl Wheeler and many others. Raised in a small town in Eastern Washington, Cohn recalls being involved in music from her earliest memories: "My mom used to be able to find me playing, because she would just follow the sound of me singing to myself, and when I wasn't bugging my big sisters, I was making up songs on the Piano rather than practicing my lessons". After teaching herself guitar on her dad's old Gibson, and purchasing an electric piano, she took to the road in '96, with her 20 pound cat, Tosca, and has kept a non-stop tour schedule ever since. Her concerts continue to draw growing and enthusiastic audiences wherever she performs. Her music draws many comparisons, with most press, radio & concert promoters likening her music to the works of Joni Mitchell. -Album Network called Cohn's music "strong on vocals with piercing lyrics and Lovely melodies." -Weekly Alibi said "the absence of Moving is Cohn's sexiest effort yet". Reviews: What strikes you first about Jill Cohn is her voice. It's rich, with a certain weightlessness that allows it to soar. The very next thing is her consummate songwriting skill. Cohn's lyrics are as strong as her alternately delicate and earthmoving melodies, and the wealth of subject matter she employs is from her own bastion of personal experience. WITH FOUR RELEASES UNDER HER BELT AND COUNTLESS LIVE APPEARANCES, COHN DEFINES THE SINGER-SONGWRITER. HER MOST RECENT DISC, THE ABSENCE OF MOVING (Box o' Beanies), is a self-produced affair that showcases Cohn fronting her Seattle-based band and offers something of a departure from her previous, largely solo work. She's thoroughly effective accompanying herself on piano--her chops in that regard are formidable--but the ensemble setting of the new album adds an magnified urgency to her music. Cohn has been compared to nearly all of the women on the singer-songwriter circuit, but there isn't a single comparison that can be made to describe the overwhelming relevance of her work. Of course, if you happen to be a fan of Tori Amos, Paula Cole, et. al., then you're likely to find yourself swept away the moment Cohn lays her hands on the 88s. In fact, you're so likely to get caught up in the moment, you'll feel as though you're on the inside looking out. From Michael Henningsen Albuquerque, NM USA - Sunday, January 14, 2001 at 23:26:40 (EST) Jill Cohn's nearly constant tour swings through Seattle once again, bringing Cohn's own special blend of folk-infused pop. Pick a pop songbird--especially one who plays piano--and Cohn's probably been compared to her, but she has a style all her own that defies comparison. She's more sensual than most of her ilk, and she has an impressive voice that's capable o

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REVIEWS

music that illuminates Joy
author: Jack Alberson
Jill Cohn--whose latest release, “the absence of Moving” is a collection of music that illuminates the joy and fragility of life. Her voice is amorphous and takes on the personality of each song, whatever that song may require.  To provide a couple of examples:  she communicates the sultry loneliness of “Louisiana lover” with incredible immediacy and the liberation and strength of “Kayenta” with a pride not seen since Amy Ray’s earlier vocals for the Indigo Girls. The arrangements are tasteful and only go as far as the song itself is willing to go, the additional musicians providing abundant depth and color to perfectly frame the picture Jill paints with her words.  Jill Cohn deserves the type of exposure that makes an artist a star.  Her songs deserve to be hits on the radio.  Like all good pop music, these songs don’t demand much of the listener and compliment the days of our lives in their crystal clarity.  Her voice and music feel timeless, universal, and perfect.
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