Ferris Wheel
© Copyright-Jennifer Bresnahan
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Jennifer Bresnahan's music "crosses boundaries and her voice [is] a raw, evocative alto with great depth and range," says journalist Heather Frye. Her songs are reminiscent of the 70's, but they have a modern edge that is at once solemn and bluesy, yet hopeful and sincere. She has played solo for about the last seven years, coming out with two acoustic albums: "Ten Thirty-Two" in 2000, and "American Girl" in 2002. Her third album, "Ferris Wheel," is her most mature material yet, in terms of lyrics and instrumentation. (The first two albums will be re-released in 2007. A few MP3's and all lyrics can be viewed at: www.jenbresnahan.com.)
Jen grew up in Billings, Montana, where her only musical training was listening to her dad's favorite music (Joni Mitchell, Paul Simon, Fleetwood Mac, Tracy Chapman) in the car during road trips. Nobody in her family is musical, so it doesn't really make sense that she would be, especially since she's almost deaf in one ear.
During college in Idaho, she picked up the guitar (at age twenty-one) and began writing her own songs within weeks of her first and only guitar lesson. But she had been singing since she was a toddler and writing a capella songs since high school, before knowing anything technical about music. "I think the melodies were always there, somehow. I sat down one day at the kitchen table and decided, 'I'm going to write a song now.' I wrote some words and just stared at them for at least fifteen minutes. Finally I started snapping my fingers and suddenly the entire melody appeared in front of me in an instant and the song was done. I would sing these songs at parties in little rooms, where I would allow only about six people to listen. I was so shy I sang with my eyes shut the whole time."
Singing was a way for Jen to communicate. She's played in front of crowds as small as six and as big as 1,300. The songwriter is currently playing in Portland, Oregon with her band "Jen and the Ex's." The Ex's are: Jeff Porter on guitar and lap steel, Jeff Koch on bass and mandolin, and Joe Evers on drums. (www.myspace.com/jenbresnahantheexs)
"Jen and the Ex's" play at several venues in Portland, including McMenamins White Eagle, The Green Room, The Mississippi Pizza Pub, The Bitter End Pub, The Laurelthirst, Voleur, The Rock Bottom Brewery, and The Thirsty Lion. Send an e-mail to jenbresnahantheexs@hotmail.com to sign up on the mailing list!
Note: The album cover is a self-portrait, done in acrylic paint on a large canvas. Its inspiration was taken from a Van Duzer wine label. Jen obtained permission from www.vanduzer.com to use the likeness.
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author: Women Who Rock PDX (EK)
This is one honest album.
Jen know's how to take those everyday struggles with her own peace and relationships and turn it into a very haunting yet lovely song which we all can relate to, like the line...Are you going to miss me when I'm gone?..... A simple question sung with such uncertain candidness.
And the pain of loss, a line from the song UNDER THE LAMPPOST....She was your dream girl, don't lie.....aching.
PRIMARY COLORS is a radio hit waiting to happen a favorite among many and the #15 song of the year in 2006 on Mark Collins Women of the 90's radio program.
WHISKEY is a dark tune of drinking, the dark thing one becomes because of drinking, and the abuse that happens to someone who lives with one who drinks, the line ....Black and Blue is the Color of Me and You.....you actually feel the pain.
Lyricly Jen is at the top of her game, this being her third album, the growth that has happened over the years is evident, and the music itself has taken on a new level.
This is an
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Intelligent lyrics, refreshing lack of sophomorism, musically both interesting a
author: Barbie
Jen and I are close personally, so I should acknowledge the possibility of bias in reviewing her CD. That being said, it's a great fucking album, period. I have a general disdain for the modern, self-exploring (often self-deploring), female, singer/songwriter genre. "Ferris Wheel" might at first glance resemble that description, but completely transcends the category. The lyrics are intelligent, mature, and thankfully devoid of the usual cliches (except for several intentional and clever inclusions). Most of the music is instantly gratifying, yet it is paradoxically unique and interesting enough to warrant multiple plays. Jen's ability to use lyrics, rhythm, and melody together to highlight and layer meaning within her songs results in their actually becoming more intriguing as they become more familiar.
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An honest, sexy album of americana-country
author: Geof Happens
I really enjoy listening to Ferris Wheel. It's an honest reflection of Jen's soul. The music is well thought out, and the production brings you to the front row of her concerts. Get the CD. Then go see Jen play live.
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