
Heiner Stadler
Retrospection
© 2002 Labor Records (790987703420)
CD IN STOCK. ORDER NOW. Will ship immediately.
SPECIAL: 10% discount if you buy more than one copy of it today!
In Retrospection, composer/pianist Heiner Stadler emphasizes classical and modern techniques set inside large scale structures within which improvisation plays an integral role. Featuring Dee Dee Bridgewater, Jimmy Owens, Joe Farrell, Albert Mang
tracks
try this
albums you will love
- LOUISIANA RED AND LEFTY DIZZ: Walked All Night Long
- ALEC SEWARD: Late One Saturday Evening
- BROWNIE MCGHEE: Blues Is Truth
- VARIOUS: A Tribute To Leadbelly
- ALEKSANDËR PEÇI: The Broken Song
- IVAN SPASSOV: Aishinka
- BEATRICE BERTHOLD: Music of Tribute Vol. 5 - JS Bach
- DUO CARAMURU/BALDANZA: Bossa in the Shadows
- VIKTORIA LAKISSOVA: Music of Tribute / Vol. 4 - Scarlatti
- EDUARDO FERNÁNDEZ: Between Two Worlds
- JEMIMA JAMES: Book Me Back In Your Dreams
- KENT COOPER: The Blues & Other Songs Vol. 2
- ALEKSANDËR PEÇI: Albanian Lament
- VLADIMIR VALJAREVIC: Music of Tribute / Vol. 3 - Fauré
- LOUISIANA RED: Live in Montreux
- KENT COOPER: The Blues & Other Songs
- LAZAR NIKOLOV: Three Sonatas
- PAVLINA DOKOVSKA: Music of Tribute / Vol. 2 - Debussy
- JOSÉ EDUARDO MARTINS: Music Of Tribute / Vol. 1 - Villa-lobos
- DEREK BRONSTON: Ebb
- JOAO CARLOS MARTINS: The English Suites (1-3); Chromatic Fantasy and Fugue
genres you will love
By Location
links
notes
HEINER STADLER -- RETROSPECTION
STRUCTURAL CONCEPTS FROM EUROPEAN CLASSICAL TRADITIONS APPLIED TO THE VITALITY AND PERSONAL EXPRESSIVITY OF AMERICAN JAZZ
"...clicks as an absolute must for anyone who likes Dee Dee Bridgewater at all." -Eugene Chadbourne, Cadence
As composer, record producer and impresario, Heiner Stadler moves across the borders of Jazz, blues, world and classical and contemporary music with ease and skill. Written and recorded during a period of just over ten years from the early sixties to the mid-seventies, the music on Retrospection emphasizes classical and modern techniques set inside large scale structures within which improvisation plays an integral role. In this music, the tension between composition and improvisation, the fixed and the free, the intellectual and the spontaneous, the preordained and the unforeseen, is completely rethought and renegotiated in a process of composition, collaboration and realization. Featured performers on this record include a handful of top-notch musicians from the New York and German jazz scene.
Retrospection makes available, for the first time in one volume, DEE DEE BRIDGEWATER'S 6-minute tour de force on Lenore Kandel's poem "Love In The Middle Of The Air," combo tracks featuring trumpeter JIMMY OWENS, saxists JOE FARRELL and TYRONE WASHINGTON, trombonist GARNETT BROWN, pianists DON FRIEDMAN and STADLER himself, bassists REGGIE WORKMAN and BARRE PHILLIPS, drummers JOE CHAMBERS and BRIAN BRAKE; a previously unreleased suite for the NORTH GERMAN RADIO STATION BIG BAND with European improvisers MANFRED SCHOOF, GERD DUDEK, ALBERT MANGELSDORFF, and WOLFGANG DAUNER; and two sensitive performances by guitarist MARK ELF.
Like JAZZ ALCHEMY, re-issued last year on Labor (LAB 7024), and Stadler's seminal TRIBUTE TO MONK AND on the Tomato label, Retrospection revises definitions and provides new standards for the merging of jazz and contemporary composition. Together, these three albums air many of the fascinating experiments and exploits from the distinctive musical mind of Heiner Stadler.
REVIEW (All Music Guide)
Composer Heiner Stadler's arrangements use the very advanced harmonies of modern classical music while leaving space for avant-garde improvisations. "The Fugue #2" from December 1966 has some surprisingly adventurous solos from a sextet that includes trumpeter Jimmy Owens, tenor saxophonist Joe Farrell and trombonist Garnett Brown and a similar group from October 1973 (with Tyrone Washington in Farrell's place) is heard on "Pointed." Most remarkable is Dee Dee Bridgewater's hair-raising vocal on "Love in the Middle of the Air" which she performs in duet with bassist Reggie Workman. Actually the most rewarding piece is also the longest, the 291?2-minute "Clusterity" which utilizes an all-star European sextet plus the Northern German Radio big band. Cornetist Manfred Schoof and trombonist Albert Mangelsdorff take spectacular solos.
- Scott Yanow