
David Elias
Crossing (hybrid SACD)
© 2005 David Elias (783707086507)
CD IN STOCK. ORDER NOW. Will ship immediately.
What Stereophile magazine described as "Extraordinary" -- Award-winning songwriting recorded in La Honda, Calif. with gifted musicians. Stark.Soulful.Poetic.Honest.Acoustic Band. It doesn't get more real than this. ** Now on Pandora.com radio. **
tracks
try this
albums you will love
- DAVID ELIAS & THE CASUALTEES: Live in San Gregorio
- DAVID ELIAS: David Elias & XING
- DAVID ELIAS: The Window (hybrid SACD)
- DAVID ELIAS: Half An Hour Away
- DAVID ELIAS: Time Forgets
- DAVID ELIAS: The Blue Planet
- DAVID ELIAS: Lost in the Green
genres you will love
galleries you will love
By Location
Recommended if you like ...
links
notes
David’s original work and contributions as a pioneer in the unsigned artist’s world of self-produced CD’s put him in front of the folk community nationally and worldwide at a very early Internet age (1995). He achieved numerous and frequent #1 charting on various large musical web communities such as MP3.com, Besonic, SoundClick, Mixposure, and IndieHeart.com (currently #1 artist for most plays) as well as others.
Not restricting his exposure to online outlets (breaking ground with CD Baby in 1998 and eventually Amazon, iTunes and 50+ others) David also attracted the discriminate audiophile community as an innovator in hi-def 5.1 surround sound recordings (SACD’s “The Window”, 2003 and “Crossing”, 2005). This met with industry recognition for excellence, including the Brutus award from Positive Feedback Online for both SACD’s.
David’s songwriting achieved early recognition from the likes of Billboard magazine (honorable mention folk award in 1998) and hundreds of reviews and comments online from fans, musicians and industry professionals. He has been compared to many great songwriters ranging from Jim Croce to Nick Drake to Tom Petty to Dan Hicks to Arlo Guthrie to Bruce Cockburn, Paul Simon, Dylan, Neil Young, among numerous others. His productions continue to be recognized for their outstanding articulation and impact, both lyrically, musically and sonically. He has indeed been referred to as both musician’s musician and a songwriter’s songwriter.
It is somewhat challenging to try to characterize the scope and impact of David’s work either chronologically or in a complete fashion. Working as an independent artist for 15 years, he has been part of the dawn of many new discoveries in music and DIY approaches to sustaining art. Performing in the vicinity of 1000 shows, give or take, since 1994 and teaming up with dozens of different casts of characters from the deep roots of the Irish and Scottish to the quietude or rants of Americana and folk to the eclectic, bluegrass, rock and pop realms of those such as Jane Siberry (Issa), Sally Van Meter, and Roger Powell, David has spun many homegrown musical tales for the environment, local education and businesses, benefits galore, art shows, fairs and festivals, warehouses and lofts, beach parties, pubs and eateries, music halls and local cafes not to mention his own 7 released recordings and endless other collaborations. Perhaps it is summarized best as one fan online wrote: “…music for the heart and soul”.
More details below or see http://www.davidelias.com
• Independent singer-songwriter musician with first self-produced CD “Lost in the Green” released in 1995, with the initial wave of the Internet. This CD got immediate attention and play on hundreds of public and college folk programs across the US and overseas as far as Hong Kong. Original coffeehouse acoustic sounds for both lyrical/poetical impact and musical composition and quality were associated with early Dylan, John Prine, Paul Simon, Guy Clark, Townes Van Zandt and other folk icons.
• Second CD release “Time Forgets” went online with the initial artist subscribers to CD Baby in 1998. “Christmas Blue” from this disc became #1 on the original MP3.com Folk Rock chart in 1998. CD Baby founder Derek compared this disc to John Prine’s music as something loveable. The “Freedom on the Freeway” track received an Honorable Mention from Billboard magazine. David’s songwriting skills were also recognized by the Napa Valley Music Festival as a finalist.
• Also released in 1998, “The Blue Planet” featured a title track used in the Musician’s United to Sustain the Environment (M.U.S.E.) first compilation. This marked the beginning of many contributions to compilations and other non-profit and for profit projects including independent films such as Jason Ward’s “I Want To Blow Up Silicon Valley”. Both special and regular radio performances began during this time and continued on Bay Area stations including KSUP Santa Cruz, KPIG Watsonville, KZSU Stanford, KKUP Cupertino and KALW and KYOU in San Francisco.
• 2001 included the CD release of the ambient folk recording “Half An Hour Away” featuring an acoustic trio (guitar, mandolin, flute/tenor sax) known as David Elias & The Great Unknown. The title track of this song would also be included on the release of the Peninsula Scottish Fiddlers’ second CD. David toured Scotland with the 18-piece Fiddlers orchestra that year performing 14 shows as a supporting guitarist and featured songwriter.
• Working early with Hi-Def recording in the beginning of Sony’s development of the Super Audio CD (SACD) David ultimately released the world’s first hybrid multichannel (5.1) SACD in 2003. “The Window” was a final nominee at the Beverly Hills Surround Music Awards that year in the Emerging Artist category. That same year Pink Floyd’s remixed and remastered “Dark Side of the Moon” was recognized as the best new surround hi-res recording. Over 4000 SACD titles would follow from various labels in recognition of this new high definition format.
”The Window” has been recognized by audiophile experts as a reference quality recording for its superior sonic merits. It also has been awarded for its folk music value. As Stuart Robinson from High Fidelity Review commented: “Every great recording requires great music, and that’s what this disc is all about.”
Recorded live at Immersive Studios in Boulder and released without edits or overdubs, it features numerous luminary backing artists including Sally Van Meter, John Magnie (Subdudes), Matt Flinner, Eric Thorin (Open Road Bluegrass, Drew Emmitt) and Marc Dalio (Erin McKeown).
“The Window” has been compared to folk and bluegrass icons’ work such as Jorma Kaukonen’s “Blue Country Heart” also a 5.1 SACD which was nominated for a Grammy in 2002. “The Window” has received longstanding recognition in the audiophile community for its songs, performances and audio qualities.
• Continuing to record in the Hi-Def domain using Direct Stream Digital (DSD), an acoustic trio consisting of Charlie Natzke (guitar/backing vocal), Chris Kee (upright bass) and David recorded a live studio set entitled “David Elias & XING” (pronounced “crossing”) for an iTunes promotion in 2005. This 50-minute, 11-track podcast was named by iTunes as “Tracks to Watch” and received tremendous support and plays online. It went on to be printed as a CD as a result of the online success.
• In 2005 David was invited to join Jane Siberry (now Issa) onstage as a backing guitarist in the Newport Folk Festival. David would open shows for Jane over the next two years at numerous locations throughout California, including the Great American Music Hall, as well as performances in Texas. He also appeared live with Jane on radio in Austin, TX (KGSR with Jody Denberg) as well as KUSP in Santa Cruz, CA.
• As he was being voted “Best Songwriter” in 2005 by the International Online Musicians Awards (IOMA) David created the larger ensemble (up to 8-piece) of David Elias & XING (pronounced “crossing”) for his live performances. Using these local SF Bay Area musicians as well as most of the artists appearing on “The Window”, a second hybrid 5.1 SACD of original music called “Crossing” was produced and recorded at Slipperworld Studios in La Honda, CA.
Recorded to DSD by Charlie Natzke and mixed in Boulder by Gus Skinas (formerly of Sony SACD Project and founder SuperAudioCenter.com) “Crossing” received final nominations in three different categories in the 2003 Surround Music Awards: a) Listener’s Choice; b) Best Made-For-Surround Title; c) Best Non-Orchestral Mix.
”Crossing” received the same level of admiration for songwriting and Hi-Def excellence as “The Window”, described as an “extraordinary recording” by Stereophile Magazine in 2006.
• Shortly after relocating to Hawaii in 2008, David released a limited set of recordings featuring new lyrical songs written and performed on ukulele.
• New News in the near-term horizon (late 2008, early 2009)includes:
- Live CD with the large band David Elias & The CasualTees, recorded to DSD by Gus Skinas in hi-def and mixed/mastered by Charlie Natzke at Slipperworld Studios in La Honda, California. This project was recorded at the San Gregorio General Store over successive nights and features new Elias material on 10-tracks. Musicians backing David as The CasualTees are: Charlie Natzke, John Havard, Scott Beynon, Ken Owen, Roger Powell, David Phillips, Gary McArthur, and Reid Dennis. *** RELEASED IN FEB. 2009! *****
- Hi-Def (HD)downloads in both stereo and 5.1 surround sound of both David Elias SACD’s from iTrax.com. *** ONLINE NOW FOR HD STREAMING AND SURROUND DOWNLOADS ****
- Award-winning "Crossing" has been added to the impressive libraries of online radio at www.pandora.com -- check it out!
reviews
Please log in to review this album.
As Good As The Window
author: Darrel and Sally OdgersWe purchased this album after stumbling on The Window by chance and enjoying it very much. This one is just as good. Since this is a simple recording with few instruments, we feel the stereo layer is the better. Both are entertaining, though. We will not hesitate to purchase any other SACDs by this artist. We have no real track preference. All are enjoyable. It's one of a very few discs where we have two copies just in case of loss or damage. On this note, we intend to get a back-up copy of The Window if and when it comes back into stock.
Essential Recording
author: Reviewer AcousticSounds.comThis 5.1/stereo hybrid SACD is an essential recording for anyone interested in contemporary folk music. The recording quality is excellent. The music and lyrics are quite beautiful. And as the big commercial record companies implode all around us, David Elias proves that much of the best contemporary music is coming from private labels today. He also proves that quality recordings can be made inexpensively and that the SACD format just may survive!
An icon among singer-songwriters of America
author: Michael J. DowneyWith the release of "Crossing," David Elias has re-affirmed his place as an icon among singer-songwriters of America. For David, it seems truly a crossing of old and new technologies - warm, wooden, acoustic instruments recorded on state-of-the-art Sonoma DSD equipment. Also crossing exciting new tracks (the gritty, gunslinger Dobro of "Morning Light/Western Town," the vivid, honest imagery of"Crossing," and the signature David Elias way of making a yearning, existential paean sound hopeful, as in "One More Savior") while breathing new life into a few of David's classic tunes ("Mend My Mind," "Heaven's Destiny," and "Changing Down"). But the real irony of David Elias' "Crossing" is the friendly way it greets you ears on first listen, and then finds it's way into your heart thereafter. And once that happens, you're a fan for life. Lucky for us, David's prolific songwriting keeps us fed with gems like "Crossing."
Awesome
author: AlphaThis is the first time I have heard David Elias, but it certainly won't be the last.
More than Great!
author: Serious-Music (MIX Review Crew)This track [Morning Light/Western Town] is more than great. Full of my taste. The instrumentation and the clear recording are wonderful. But the vocals also in this song so great like the other songs which I have listened. This song sounds full of instruments! My favourite-track.
Excellent Performance
author: Mike KisselDavid delivers again on a fantasic tune [Mend My Mind]. The spaciousness of the mix and the live recording is so perfect and gives you the feeling he's sitting on your porch and singing the late summer afternoon...Just an excellent performance and perfectly written, relaxing song. The mandolin is so smooth and fits so good.
Hear an Original
author: GinNger SparklezZz - MIX Review CrewThe Vocals are great. Fantastic recording quality and EQ! Nice! Nice! Nice! Very professional crisp sound! You have a great voice(and hey, you don't sound like anyone else but you!). :) Always nice to hear an original such as yourself.
Mind Mending
author: Phillip E. HardyDavid is a bona fide folk music talent in the tradition of popular 70’s artists like Gordon Lightfoot and Jim Croce. This track [Mend My Mind] is so damn pleasant to hear and I wish I heard more music like this at OMD’s. The vocals and guitar work are effortless and beautiful and the production is as clean as it gets. The mandolin work on this tune also adds tremendous color and fills in without being overbearing. This is great work by an artist who deserves your attention.
Top Notch Material
author: BillyThis stuff is reminiscent of Jim Croce. It immediately came to my mind as soon as I heard it. The production of this tune [Mend My Mind] is flawless. This is not a genre I would normally choose but it's good for kicking back and if there are more independent artists out there as good as David Elias then I will tune in to this stuff more often.
What I Need To Hear
author: WillI just wanted you to know that i have been listening to these songs on a regular basis. And it is just absolutely beautiful and moving. The perfect instrumentation for every song just totally gets me. Your voice is lifted to amazing height with this music. And i'm glad because everything you say is what I need to hear. Anyone who hasn't heard this is really missing out. Thank you thank you thank you.
Something Special
author: BreelHis Greatness David Elias provides another masterpiece... as usual. But yet something is different. Is it the melody that hooked me up at the first listening? No, as usual. Is it the words that make me slip into David Elias' world and make me feel like it was mine? No, as usual. Could it be the perfect instrumentation all played with care and without any kind of showing off, doubled up with a charming voice that suggests an owner with loads of life-experience. No, just as usual. Maybe it's that every David Elias song makes you feel like it's kind of different because they're all something special.
Perfect all the way
author: M. FrazierEverything about this song [Crossing] is simply musical. The epitome of true modern music. A great story, excellent songwriting, musical changes, musicianship, vocals, production. Smooth, heartfelt and stirs images in the minds of the listeners (speaking for myself - and I bet a lot more). This is one of the best tunes I've heard for a long time, anywhere. Super work all around. Very pleased I found this one.
Poetry and Storytelling
author: Maria Daines'Loneliness must be where friendship and the road meet...' A knock me over piece of writing that says so much more inside, under and over the lines. A quiet place of light, like walking through autumn leaves with the sun laying her golden fingers across the land and as you stroll you hear a song in your head, the solitude of peace. You sing and play a journey here and take us along with you, from your shoulder we can share the experience of being in anothers shoes, a brief gimpse of an artists heart. A professional recording of the highest quality, everything in balance so perfectly. Easing us into a kind of comfort and beauty. Sheer heaven. Thank you.
From the first note, it's apparent this is an extraordinary recording
author: Stereophile, March 2006 IssueFrom the first note, it's apparent that this is an extraordinary recording...This is intelligent and melodic pop folk-rock, and Elias's singing is honest and tuneful...Unlike Elias's 2003 SACD 'The Window', all but two tracks on 'Crossing' were recorded at Slipperworld by Charlie Natzke. The result is a warmer, more intimate 5.1 sound that retains all the kick and deep immersion of the earlier disc. Even the two-channel tracks sound great.
David Elias is Your Songman!
author: Guy Michetti - Review Crew, MixposureA beautiful pastoral melody with David's soulful intimate vocal is a feast for any music lover. And he writes and sings lyrics that actually mean something. Poetry married to music! It that's what you are looking for then David Elias is your songman!
Another "Must Have" disc for Super Audio CD fans
author: HighFidelityReview.comIn every case, the recording captures the acoustics of the live performance and the direct to DSD approach to the project offers amazing detail, clarity and sonics. If you want to hear an album that really shows what the Super Audio CD format is all about, Crossing is clearly in that category. As with Elias' prior SACD release, I can quite confidently predict this will be another "must have" disc for Super Audio CD fans.
Now we've got Elias' follow-up to tout.,.
author: AcousticSounds.comThe debut SACD by David Elias, titled The Window, has become a surprise hit in the Acoustic Sounds catalog. Surprise, that is, because it was an independent release by an independent artist on an independent label. There was no major label promotion machine in effect here. But word spread quickly, grass-roots style, that this was a disc of serious sonic and musical merit. And now we've got Elias' follow-up to tout...This is subtle acoustic music recorded with exceptional detail paid to high fidelity.
You MUST buy this
author: Paul TwaI bought David's first DSD/SACD offering 'The Window' on a whim while shopping at a high end audio shop in Singapore. I was pleasantly surprised by the material and the mix. When I heard that he had come out with a new DSD/SACD I purchased it immediately. This CD places you right in the middle of the artists - incredible sound - always relaxing, very intimate. Good singer/songwriters are few and far between - gather a small group of like minded individuals to record some fantastic music and you have created something that is a pleasure to listen to again and again. As long as David Elias releases CD's such as this (and in this format) I will continue to buy them.
A GREAT CD!
author: Dick Metcalf, aka Rotcod ZzajA new recording format (DSD), which the liners say is "the highest resolution media available anywhere today", is featured on this great little CD in from David! I was first introduced to David's wonderful acoustic guitar & vocals over at MIXPOSURE (www.mixposure.com ), by Guy Michetti (who is a fantastic player in his own right). Elias' music takes me back nearly 30 years, to an era where the singers were able to reach right out & touch your soul with their lyrics (think James Taylor, maybe). David's voice is a natural for this kind of music, & his lyric-writing skills are top-o'-th'-line. There's a tinge of country & a flash of John Denver, but I'd say his singing & lyrical style reminds me (more) of one of my all-time favorite singers, Bruce Cockburn. Simple messages wrapped in intelligent & meaningful words. If you like this type of music, I'd suggest you keep your ear on Mr. Elias... he's got fame & glory coming soon. Be sure you're there to enjoy it with him... I will be, for sure! This CD gets a MOST HIGHLY RECOMMENDED from my ears! Learn more about David & his music at www.davidelias.com or purchase the CD at http://cdbaby.com/elias6
You all should buy David Elias'cds!
author: Sarah MicolI met David Elias by chance. His talent and his creativity amazed me. I had to have one of his recordings, then I got "Crossing": while I'm writing this review I'm playing this cd. Believe me: it's something everyone should have! 12 tracks that's a pleasure to play. My favourite track is "One more Saviour", so sweet, sounds like a lullaby for my baby boy. All these tracks are amazing. This album will never get you bored. it will lead you to a beautiful journey and you'll get lost by the perfect harmonies built by an amazing and talented artist, that's David Elias. Highly recommended!
Doesn't get any better than this. Euphoric!
author: Tom HuffstutlerDavid has hit on all cylinders with this one. May as well be as inviting him and his wonderful band into your living room. Every aspect from composition,personel and end results in the mastering process are as good as these 55 year old ears have heard. I can't wait til the next one.
A wonderful surprise...
author: Tony Hartley, The English Lake DistrictThe songs build up from a gentle beginning to the electric Morning Light / Western Town, the driving rhythm of Heaven's Destiny and the sprightly The Riddle Song. The sound is superb throughout with a surround mix that makes full use of the rear speakers. I bought the disc "blind" not knowing what to expect - I cannot stop playing it! Very highly recommended.
Great sound just relax and enjoy the music
author: Marcel TreierPerfect recording just sit down relax and enjoy