Phoenix
© Copyright-(c)&(p) Passion Star Records
SPECIAL: 20% discount if you buy more than one copy of it today!
No items available in your wishlist
Edo Castro is an eclectic modern instrumentalist borrowing from jazz, ambient, folk and world music - a chameleon who adapts his musical surroundings to create his montage of compositions.
Phoenix, Castro's latest CD follows his first effort entitled simply "Edo", “The name Phoenix is not only a beautiful name, it's also the mythical representation of change or transformation. Phoenix is about transforming personal moments,” Castro explains. Many wonderful musicians are featured on this album including Mark Egan, former bassist with Pat Metheny, who has played on over 100 albums and is a guest artist on Phoenix.
Phoenix was produced by Ray Cooper on the new boutique label, Passion Star Records, who Castro signed with recently.
Castro is a SF Bay Area Native who grew up in the Haight-Ashbury during the 60’s. “ I was influenced by Sly Stone, Tower of Power, Cold Blood and Santana. There was so much music going on, it was practically oozing out into the neighborhood. You couldn’t help not being affected,” Castro recalls.
He initially was a self-taught bassist but later attended the American Conservatory of Music in Chicago. During his stay in Chicago he played with some of the finest young bloods of the music scene at that time including Jim Trumpeter, Fareed Haque, Mark Walker and Hassan Khan. Of course there were the jazz icons, Miles Davis Guitarist- Pete Cosey and drummer - Roy Haynes that Edo was fortunate enough to play with. Castro recalls,” After playing a set with Roy Haynes, there was a bunch of us standing around talking to him and out of the blue Roy handed me his card and said, ‘Man when you’re ready, come to New York give me a call. That was the greatest stamp of approval in front of all my peers.’
He completed his studies earned his Bachelor of Music degree in 1987 and continued to hone his craft in Chicago.
Read more...
Please
log in to review the album.
gorgeous and tasteful
author: Kai Horsthemke
When I first saw Edo Castro’s album ‘Phoenix’, two things about it set me on guard immediately: first, the image of a 9-string bass on the cover (I mean, who on earth needs these things?) and second, the inclusion of that awful and omnipresent tune, ‘Amazing Grace’. Well, that was then. ‘Phoenix’ is a near-completely beautiful, exquisitely crafted album. Castro is much more concerned with mood and texture, not to mention melody, than with extroverted, chops-flashing bravado. Case in point: who would even think of covering Ralph Towner’s breathtaking composition ‘Beneath an Evening Sky’? Castro does it full justice, with the elegant fretless melody set against a chordal backdrop, rendering the complex time signature of the piece almost unnoticeable. ‘Bone Dreams’ adds pedal steel guitar (Rob Powell) and tabla (Debropriyo Sarkar) for texture, and ‘Song for the Electric Whales’ is a moving (and sonically accurate!) tribute to these magnificent creatures. The blues-based ‘Blue Asia’ featu
Read more...
A stellar recording!
author: Ron Rutherford
...a great pickup if you’re either in a mellow mood or looking to instill one
author: The Daily Vault
They don’t call it mood music for nothing. Whether my mood is upbeat or downbeat, serious or playful, extroverted or introverted, there are musical choices aplenty to complement, enhance or counteract it.
Edo Castro -- in addition to playing one of the coolest-looking instruments ever built, a fretless eight-string bass – on his sophomore solo release Phoenix delivers what I can only describe as mood music. It has flavorings of instrumental jazz, world music and New Age, but, perhaps surprisingly for someone whose primary instrument is generally thought of as a rhythm anchor, the emphasis is on sonic textures rather than beats or structures.
Early tracks “Beneath An Evening Sky,” “Bone Dreams” and “Song Of The Electric Whales” have a contemplative, unrushed, elegant feel, becoming almost hypnotic in places. The synth textures, percussion and Debopriyo Sarkar’s tabla on “Bone Dreams” are especially evocative.
“Blue Asia” has greater structure, lending it more of straight jazz
Read more...
...a great pickup if you’re either in a mellow mood or looking to instill one
author: The Daily Vault
They don’t call it mood music for nothing. Whether my mood is upbeat or downbeat, serious or playful, extroverted or introverted, there are musical choices aplenty to complement, enhance or counteract it.
Edo Castro -- in addition to playing one of the coolest-looking instruments ever built, a fretless eight-string bass – on his sophomore solo release Phoenix delivers what I can only describe as mood music. It has flavorings of instrumental jazz, world music and New Age, but, perhaps surprisingly for someone whose primary instrument is generally thought of as a rhythm anchor, the emphasis is on sonic textures rather than beats or structures.
Early tracks “Beneath An Evening Sky,” “Bone Dreams” and “Song Of The Electric Whales” have a contemplative, unrushed, elegant feel, becoming almost hypnotic in places. The synth textures, percussion and Debopriyo Sarkar’s tabla on “Bone Dreams” are especially evocative.
“Blue Asia” has greater structure, lending it more of straight jazz
Read more...