Early Music New York
Music of Venice
© 2007 Ex cathedra Records (700702900829)
CD coming back in stock soon.
If you want us to email you the minute this CD arrives, enter your name and email address here. We will not give or sell your info to anyone, and will not use it for any other reason than to tell you when it arrives.
Instrumental music inspired by Venice’s San Marco (basilica) in the late 16th /early 17th centuries – festive celebratory works for sackbuts, cornettos, theorbos, Italian double harp, guitar, bagpipes, shawm and a band violins
tracks
- 1 Sonata “di Sarassineta” (Cesare Bendinelli, c.1540 -1617)
- 2 Canzon duodecima à 10 (Giovanni Gabrieli, c.1536 - 1612)
- 3 Sonata à 4 “La Schilina” (Cesario Gussago, fl. 1599 -1612)
- 4 Ballo della “Notte d’Amore” – [Pavane], Gagliarda, Corrente (Lor
- 5 Canzone à 2 “La Monteverde” (Tarquinio Merula, ca.1594 - 1665)
- 6 “La Venetiana” à 8 (Ludovico Viadana, 1560 -1627)
- 7 Sinfonia, Zarabanda, Corrente, Passacalio (Biagio Marini, 1594-1
- 8 Alemana, “La Mantovana” (Gasparo Zanetti, fl.1625 -1645)
- 9 Caro Ortolano (Pavana/Saltarello), Ungarescha (Pavana/Saltarello
- 10 Canzon a duoi liutti unisoni Claudio [Merulo] da Correggio a 4 (
- 11 Toccata, 5 Ritornelli & Moresca (Claudio Monteverdi, 1567 - 1643
- 12 Gagliarda “Venetiana” (Antonio Gardano, publisher)
- 13 Balletto alemano “Il Monteverde” (Biagio Marini, 1594 -1663)
- 14 Sonata (Dario Castello, c.1590 - c.1630)
- 15 Pavana/Saltarello/Piva “Veneziana” ( Joan Ambrosio Dalza, fl.150
- 16 Canzon à 13 “La Monteverde” (Pietro Lappi, c.1575 – 1630)
try this
albums you will love
genres you will love
By Location
notes
Instrumental music inspired by Venice’s San Marco (basilica) in the late 16th /early 17th centuries – festive celebratory works for sackbuts, cornettos, theorbos, Italian double harp, guitar, bagpipes, shawm and a band violins – includes polychoral works by Giovanni Gabrieli and Ludovico Viadana; toccatas and ritornelli by Claudio Monteverdi and Cesare Bendinelli, dances by Giorgio Mainerio, Joan Dalza, Lorenzo Allegri and Gasparo Zanetti; sonatas by Biagio Marini, and Cessario Gussago; canzonas by Tarquinio Merula, Pietro Lappi; and others. The repertoire chosen for this album is of the opulent “Venetian School” with original editions printed in Venice.