CORTEX BOMB: Need To Scream Have No Mouth

Cortex Bomb

Need To Scream Have No Mouth

© 1999 Cortex Bomb (634479566424)

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a progressive attack of genre hopping instrumental chaos

tracks

1 Mercedes-Benz 1, Subaru 0
2 Hallraker
3 Sam Taylor, the Desert Pupfish and Me
4 Prince Charles the Infidel
5 The Estate of John Holmes vs Cortex Bomb
6 Pee Wee's Outhouse
7 Puerto Rican New Year
8 The Frank Sinatra Proximity Bass Boost Effect
9 Knives in White Satan
10 Sam McGee
11 The 2 by 4 of Destiny
12 Ebola Tucson
13 King Kobra
14 3000 Strangers (Who Were Infected with aids by E
15 Friday the 13th
16 Paul Schaffer Auto-Erotic Vacuum Cleaner Exit Wo
17 Loathesome Cowboy
18 Lord Bunny's Nightmare
19 Tammy Faye Bakersfield
20 Dyr2k
21 Vnpr
22 Citta Violenta
23 Times Square
24 6 x 1023 of Gary Coleman
25 S & A
26 Use to be Cool
27 Blood Feud of the Super-Heshers
28 Exit Sandman hidden- bring that napalm death 2X4

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notes

It's safe to say that with only a handful of free jazz proponents operating in Tucson, the local improv scene, as it were, isn't going to be notching the same level of international attention that, say, Chicago and Zurich regularly reap.

But there are aficionados here just the same, willing and able to blow out rooms and venues with their teeth-rattling skronk simply because for them, if you clear the head, then you free the mind -- and you know what follows from that.

So Cortex Bomb, who mines the intersections of jazz, hard rock, punk and even cinematic soundscapes with the feral intensity of someone who's been lost in the wild for a week, munching on jimson weed and practicing his Bowie knife carving skills, brings that free aesthetic right to the table and passes out big steaming portions.

At times the group's dizzying darts seems depth-defying. One minute you encounter a cooly-rendered blend of traditional sax-driven honk 'n' swing, the next a swan-dive into sampladelic, hip-hop-fueled electronica, the next a metallic hardcore guitar roar, and the next some outrageous Prog-surf fusion.

With 30 songs here, that's a lot of hat-changing. But you never get the feeling that anyone's faking it or even dabbling in genres for the sake of acting out.

Cortex Bomb clearly digs being in the eye of the hurricane.

And the group relishes the art of song-titling, too, ranging from the evocative ("Paul Shaffer Auto-Erotic Vacuum Cleaner Exit Wound") and the punful ("Knives In White Satan") to the brutal ("3000 Strangers Who Got AIDS From Eazy E") and frankly inscrutable ("6 x 1023 of Gary Colemans").

Hey, instrumental music SHOULD be fun!

Reviewers in the past have rightly pegged a litany of influences: Melvins, John Zorn, Peter Brotzmann, King Crimson, Boredoms, Ennio Morricone, Frank Zappa, Ornette Coleman.

But as with life, it's the sum and not the equation that counts, and when it's all said and done, the cumulative effect of Cortex Bomb, ahem, adds up.

Now pardon me, I must be going.

I think my ass just blew off.

reviews

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  • author: LasseM

    This album sounds a lot different than their second one "Fist or finger"; here's 2/3 of the songs brilliant weird jazz/rock, with a homourous accent, and the rest sound-experiment - witch i could do without

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