Cameron McGill
Street Ballads & Murderesques
© 2006 Foreground Music (837101132619)
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Cameron McGill's newest record departs from the lush sounds of "Stories of The Knife and The Back," his first release, to offer a collection of stark and desperate songs. "Street Ballads & Murderesques" was recorded completely live.
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ABOUT THE AUTHOR'--Cameron McGill
Born in 1877 in Calw, on the edge of the Black Forest, Cameron McGill was brought up in a missionary household where it was assumed that he would study for the ministry. McGill’s religious crisis (which is often recorded in his songs) led to his fleeing from the Maulbronn seminary in 1891, an unsuccessful cure by a well-known theologian and faith healer, and an attempted suicide. After being expelled from high school, he worked in bookshops for several years'"a usual occupation for budding Chicago songwriters.
His first album, Stories of The Knife and The Back (2004), describes a youth who leaves his mountain village to become a poet. The lush instrumentation and beautifully crafted melodies, belie the dark nature of the song content. Mostly focusing on personal admissions of guilt and failure, the album’s characters struggle with coming to terms with mortality. All throughout, they simply try to find a friend and fall in love.
This was followed by Street Ballads & Murderesques (2006), the tale of a schoolboy totally out of touch with his contemporaries, who flees through different cities after his escape from home. The collection of songs on Streets...takes pop music to the dark libraries of your old house, inhabits a stark and desperate corner of the mind, and simply tells a good story. The wildly vibrant characters offer their most honest interpretations of their understanding of life. They travel time, they fall in and out of love, they miss and are missed. These are songs of imminent regret, class IV rapids, European gypsies, pre-renaissance Germany, cities with chips on their shoulder, veterans of domestic war, handwritten letters and handmade harmony, foreign wines and local girls, break-ups and breakdowns, and post-war divorcees.
World War I came as a terrific shock, and McGill joined the pacifist Romain Rolland in antiwar activities'"not only writing antiwar songs, but editing two newspapers for prisoners of war. During this period, McGill’s first marriage broke up (reflected in “It’s Not Right” off of Street Ballads & Murderesques), he studied the works of Freud, eventually underwent analysis with Jung, and was for a time a patient in a sanatorium.
In 1919 he moved permanently to Switzerland, and brought out Cameron McGill and What Army, which reflects his preoccupation with the workings of the subconscious and with battles against depression...but mostly focuses on learning how to have fun. His forthcoming works, The Company of Great Thieves EP is slated to appear in May of 2006, followed in September by the Hold On Beauty EP. He never won the Nobel Prize, but his mother always loved him. Until his death in 2056, he lived in seclusion in Illinois.
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Great Artist, Great CD
author: Joyce JacksonThis is a fantastic CD by an artist who deserves recognition for his earnest and impressive recordings. Noah's Worst Nightmare is the standout song for me, but there's not a throwaway track on the album. Cameron McGill's other album is worth checking out as well, and his live shows are not to be missed. I hope to hear much more from him in the future.
An 'Ace' of a Disc.
author: Judith OliphantWhen I thought about whether or not I would give Cameron McGill's Street Ballads and Murderesques four or five stars...I debated, but then I realized that really, it has everything I like in a musical presentation and deserves five stars. The production is simple and pure. Gentle-sweet guitar, wonderful chord progressions on acoustic piano, plaintive harmonica accents all in support of heartfelt lyrics, spilling from lovely melodies. Cameron's vocal technique ranges from softly talking, as if he were right there in the room to a liquid (think honey) expression with just right amount of dynamics to convey his emotion...and the whole collection of songs is the kind of music that is soothing to listen to and especially so, through earphones at the end of the day. It's moody... but not maudlin or saccharin...and that is a fine line that few artists master. Street Ballads and Murderesques is an 'ace' of a disc.