CHRISTINE MOORE: Arias

Christine Moore

Arias

© 2006 Christine Moore (837101225045)

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Praised by the Albuquerque Journal for her "rich soprano sound" and by the Leipziger Volkszeitung (Germany) as a "warm...dark voice," soprano Christine Moore sings classic romantic opera arias and duets by Puccini, Dvořák, Gounod, Catalani and Delibes.

notes

“…a warm and dark voice…a radiant and soft soprano sings out…as Mimi”

– Leipziger Volkszeitung

“The rich soprano sound of Christine Moore caught the ear in the evening’s opening numbers from Monteverdi’s “Incoronazione di Poppea…”

– The New Mexican

"Soprano Christine Moore stood out for lyrical singing of an aria in the “Susannah” title role; for energetic presence and clarity of diction in a scene from Douglas Moore’s “The Ballad of Baby Doe” and for striking acting in the “Student Prince” excerpt.”

– Albuquerque Journal

“…a colourful, evocative performance from the chamber ensemble and American soprano Christine Moore…of Schoenberg’s Pierrot Lunaire”

– The Herald (Glasgow)

*****

Praised by the Leipziger Volkszeitung for her "warm voice" and "radiant" singing as Mimi with the Leipzig Opera, Sacramento native Christine Moore has performed throughout the United States and in Europe, and is noted for her lush sound and powerful expression. A Regional Finalist in the Metropolitan Opera National Council Auditions, she has performed with the Santa Fe Opera, Central City Opera, Aldeburgh (U.K.) Fall Festival, Sacramento Opera and Chautauqua Institute in roles that range from Cio-Cio San, Suor Angelica and Alice Ford to Micaela, Donna Anna, and the Countess (Figaro).

Her orchestral and recital performances are numerous and include Barber's "Knoxville-Summer of 1915", Mozart's and Brahms' "Requiems", Handel's "Messiah", Beethoven's "9th Symphony", and Mendelssohn's "Elijah". She has given recitals at Merkin Hall, Trinity Church and Christ & St. Steven's Church (New York City), as well as venues across the U.S. and in Europe.

Ms. Moore is active in the performance of new works and is a regular soloist with the American Composers Alliance and the Brooklyn Conservatory New Music Collective. In 2000 she sang the world premiere of Richard Thompson's chamber work "The Shadow of Dawn" with the Manhattan Chamber Orchestra, and recently made her debut at the Paxton House Chamber Music Festival in Scotland performing Schoenberg's "Pierrot Lunaire," which the Glasgow Herald described as a "colourful...evocative performance."

reviews

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  • Rich of Divinity
    author: Nabeel Issa

    I've become addicted to Christine's voice. Her singing carries me to divine places I have never discovered anytime before. I can only thank God for such a wonderful gift. Dvorak's Song to the Moon has become my morning prayer. Fayrouz is our ambassador to the stars, but Christine Moore is our ambassador to seventh heaven.

  • Wonderful
    author: Richard Whitehurst

    Christine Moore has a beautiful voice full of power, color, and drama. Her Timing is impeccable and the execution is magic. It was a pleasure

  • Delightful and dramatic
    author: Aziza

    Christine Moore transports you to the dramatic opera stage with her selection of pieces and rich voice. My personal favourite is The Flower Duet, Dome Epais. Ah, it just makes you want to spread your wings and fly!

  • an outstanding voice with charisma and elegance.
    author: mmirkovich-familytoday.

    In hearing Christine's voice i heard an angelic energy in her rhythm.

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