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The catz in the hatz : Take One
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CLASSIC ROCK BAND TURNS TO JAZZ AND THIS IS THE RESULT . it's like frank sinatra meets the blues brothers.music for the young and old and REALLY old. he's hippest crooner on the block stevie johnson and a group of hyper musicians.
Genre: Jazz: Jazz Vocals
Release Date: 2005
Take One © Copyright-the catz in the hatz
  • Buy CD - $14.95
  • Download Album (MP3) - $9.99
Preview Song Name Time Format Price Select
World On a String 3:54 $0.99
Ive Got You Under My Skin 4:14 $0.99
Funny Valentine 4:29 $0.99
Natureboy 7:17 $0.99
Angel Eyes 3:20 $0.99
Lucky So and So 9:37 $0.99
Fever 5:05 $0.99
One for My Baby ( and One More for the Road) 3:51 $0.99
It Was a Very Good Year 4:36 $0.99
Comin' Home 4:33 $0.99
preview all songs

Album Notes

PLEASE VISIT US AT WWW.RHOMBUS-RECORDS.COM TO ORDER OUR NATIONAL DEBUT CD "RESILIENCE". THIS ALBUM IS ONLY AVAILABLE
THERE AND AMAZON.COM. ALSO VISIT WWW.MYSPACE.COM/CATZINTHEHATZ.

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Most of the members in this group have been playing rock and roll for the past 20 + and just recently made the jump to jazz. which make's their music that much more interesting. the catz have opened for both three dog night and America.. as the bass player for the group, i can tell you that of the 43 working bands ive been in, this one is by far the best. we are all good freinds and have known each other for years. on stage, it shows...we belive in not just giving a show ...but a circus..if people just wanted to hear music, they would stay home and stare at the stereo..we dont do that..we have natural fun and in turn, so does our audience. we are just like any other indie group..we recorded /produced /engineered our own cd that we do sell out of every weekend at our regular gig. yep...we all have day jobs and we were all in the hair bands of the 80's ya know tears for fears, mister mister, duran duran, heck, one of us even was in the disneyland marching band !! and one of us was school mates and still good freinds with actor edward james olmos. but now..its jazz for us...some of our old rock buddies say man jazz sucks !! well, i'll tell ya, i did 20 years every weekend of 20 yrs playing what was current but never alowed to be creative...not like this..so if your intrested to hear what ex rock and rollers sound like playing jazz, then check us out...one thing ive noticed.its alot quieter.. sometimes...oh and if you would like to go to our homepage and read some magazine reviews on us, then go to www.catzinhatz.com..you can see us live every weekend at the mandoline bistro in big bear lake california . the show starts at 8pm...till then, peace and love, ---terry copley( bass)

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For those of you who don't like reading reviews all the way through, I'll start off with the bottom line: You've got to hear this band.

Why? Quite simply because The Catz in the Hatz are the best thing to happen to jazz in the last two years.

Do I have your attention? Good - because this band blows the socks off 99 percent of what passes for jazz these days. And I'll say it again - you've got to hear them. Firmly rooted in straight-ahead, traditional jazz, the Catz aren't afraid to explore the relaxing groove that has fueled the jazz resurgence. And when they cook ... look Out. They like nothing better than turning jazz into an all-out party. No wonder they've been the toast of Big Bear for the last year and have often been called "the best kept jazz secret in Southern California."

That's all about to change. This bright spot on the jazz scene has released its first album, "take one", a collection of jazz. standards that combines sizzling instrumentals with the best of the Great American Songbook. leading the charge is front man Steve Johnson, whose smooth baritone could easily share the stage with the likes of Frank Sinatra, Nat Cole or Tony Bennett. It's the kind of voice tailor made for jazz at its lights-low romantic best and Johnson wrings every ounce out of such songs as Sinatra's 'One For My Baby," "Angel Eyes," and the classic "It Was a Very Good Year."

Johnson, in fact, learned Sinatra-style phrasing as a young boy, singing with his father in the family living room. And it has paid off handsomely. His voice can easily explore the romance in a song while maintaining the kind of edge that makes him a rarity-a jazz singer who can make a song his own.

But the fun doesn't stop there. The Catz aren't simply a phone-it-in backup band. These are seasoned musicians who love the music and know how to have fun with it. Guitarist Mike Wiens is often so smooth he makes jazz look deceptively easy. With a style that recalls Joe Pass and Wes Montgomery, Wiens can produce jaw-dropping solos that leave audiences screaming. Mike Cross, whose keyboards first fleshed out the Catz sound a year ago, is a 40-year piano veteran whose confidence and improvisation have inspired audiences and visiting musicians alike. Cross's solos easily bridge the straight-ahead sounds of Barry Harris and Jon Mayer with the more fun-loving approach of smooth jazz's David Benoit. It's a strong, self-assured approach that's always fresh and challenging.

The Catz in the Hatz also feature a dynamic rhythm section, featuring drummer Steve Boggio, whose solid timing and innovative solos make him an audience favorite. And bassist Terry Copley isn't a hang-out-in-the-corner bass player. He's all over the stage in live gigs, delivering solos with an originality, power and machine-gun energy reminiscent of the late Jaco Pastorius of Weather Report fame. Copley can also deliver on the quieter tunes, complimenting Johnson's dreamy vocals with a bass solo on "My Funny Valentine."

Add these elements up and you get some of the best cuts on this CD - Peggy Lee's "Fever," Mel Torme's "I'm Coming Home," Duke Ellington's "Lucky So and So," and what may be the best song on the album, Nat Cole's "Nature Boy," where Johnson's scatting is surrounded by seamless solos from the other band members. As jazz rushes back into the mainstream, its retro stylings have found a home with fans of Harry Connick, Jr. and Diana Krall. But now things have taken a new turn with the Catz in the Hatz, a band that's putting the energy and style back into America's music. Want some feel good jazz laced with some of the best vocal work on the planet? These are the guys. The Catz in the Hatz have arrived. See them. Buy the CD. You won't be sorry. Ever.terry copley..bass..preformed with johnny rivers, jon andersen ( YES ) cannible and the head hunters, dick dale, lee oscar, donny brooks, gloria loring and more. steve boggio drums, played with celebrated swing band two tone riot. mike weins, guitar, preformed with queen latifa. mike cross, piano,worked at disneyland in both the marching band and the firehouse five jazz ensamble. steve johnson, vocals, has preformed with spike jones jr, and has been featured in many movies and tv shows. dream merchant magazine has called the catz in the hatz " the best kept jazz secret in southern california" . The catz are getting massive radio play here in the southern california mountains with cuts of their first cd " TAKE ONE" available at the gig. with over 120 years of stage experience, those of you who don't like reading reviews all the way through, I'll start off with the bottom line: You've got to hear this band. jazzpolice.com call the catz in the hatz " the best kept jazz secret in southern california".They're the best thing to come out of California since the gold rush!! Ok, ok yes I'm paid to write about artits for this website but hey I don't lie! I'm now a true blue Catz In The Hatz fan. But when you hear them or better yet SEE them you just can't help yourself. They put on a show that's funny, entertaining and filled with Jazz like you've NEVER heard before.

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REVIEWS

STAR DUST-SPRINKLES JAZZ FAVORITES
author: ERIC SEAGER
COMMENTS : REVIEWED BY ERIC SEAGER ( independent music reviewer... The Catz in the Hatz "Take One" (Catz in the Hatz Records) Stardust-sprinkled jazz favorites played by genial weekend warriors for the Arthur Murray set. The marketing sound-bite for this SoCal-based quintet is "Jazz with an attitude" but with such foxtrot favorites as "I've Got You Under My Skin," "It Was a Very Good Year" and a baritone re-do of Peggy Lee's "Fever," the attitude (and sound) is pure Tony Bennett. Steve Johnson's (place pleasant adjective here) renderings bottle every puff of smoky piano and expel a record that will please everyone from great-granny to the most recent reality-TV-inspired ballroom converts. Shirley Jones and Dawn Wells of Gilligan's Island fame are among their converts, for what it's worth.
Read more...
the makings of great music
author: arrisa owen turner
Big Bear Grizzly Wednesday, March 9, 2005 By ARRISSIA OWEN TURNER The Mike Wiens Dream Band might be a better name for The Catz in the Hatz, jokes the band's vocalist Steve Johnson. But Big Bear Lake's best-known jazz band didn't start out so dreamy. When Larry Cummings, owner of The Mandoline Bistro, called Johnson looking for a jazz band, Johnson was in dream land when he said he had one. The rock musician had nothing close to a jazz band, but he did know an experienced jazz guitarist from Big Bear who spent most of his time playing Palm Springs' jazz clubs: Mike Wiens. For Wiens, a steady gig in Big Bear sounded great. What he had to do to get it was closer to a nightmare. His two original bend co-members, Johnson and bassist Terry Copley, had no jazz experience, having played solely in rock bands since high school. But they did have an ear for it, and Johnson's baritone croon was suited to the style. Wiens saw potential. That was more than a year ago. Now, thanks to t
Read more...
the makings of great music
author: arrisa owen turner
Big Bear Grizzly Wednesday, March 9, 2005 By ARRISSIA OWEN TURNER The Mike Wiens Dream Band might be a better name for The Catz in the Hatz, jokes the band's vocalist Steve Johnson. But Big Bear Lake's best-known jazz band didn't start out so dreamy. When Larry Cummings, owner of The Mandoline Bistro, called Johnson looking for a jazz band, Johnson was in dream land when he said he had one. The rock musician had nothing close to a jazz band, but he did know an experienced jazz guitarist from Big Bear who spent most of his time playing Palm Springs' jazz clubs: Mike Wiens. For Wiens, a steady gig in Big Bear sounded great. What he had to do to get it was closer to a nightmare. His two original bend co-members, Johnson and bassist Terry Copley, had no jazz experience, having played solely in rock bands since high school. But they did have an ear for it, and Johnson's baritone croon was suited to the style. Wiens saw potential. That was more than a year ago. Now, thanks to t
Read more...